Proel RSM180 Stage Microphone Stand
$40
One of the best known and most used microphone stands on stages. Featuring a fixed boom; upper joint, middle clutch, counterweight and tripod base made by fiber glasses added 6.6 Nylon. Matt black colour
50 in stock
Microphone stand with boom, tripod nylon base. Available with matt black or chrome plated finish.
This line of microphone stands has turned out to be highly competitive since its introduction. Its success is to be found in the use of high-tech components at competitive prices, creative design and stability. The stands are made with accurately chosen materials, such as all nylon sliding joints and brass inserts granting long lasting high quality.
Base dimension: Ø 680 mm
Minimum height: 900 mm
Maximum height: 1500 mm
Weight: 2,2 kg
Available colors: Matt black – RSM180 / Chrome – RSM170
Boom length: 750 mm
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Brand
PROEL SOUND
PROEL SOUND SYSTEMS
Proel has over 25 years of experience in the world of amplification. Such know-how as to generate a product philosophy inspired by innovation in design and functionality.
Since 1996, Proel has been dedicated to designing and manufacturing high-quality Sound Systems products that could meet the ever-increasing demand of professional installers and the music market.
Widely recognized for product value, Proel has focused its energies on ensuring that every single Sound Systems product is reliable and of high quality, with solutions for any target audience and application: from artists and professionals to amateur musicians; from fixed installations to live performances.
The beginning of the new millennium saw the introduction – in 2002 – of NEXT, Proel’s first plastic loudspeaker, while in 2003 Proel Sound Reinforcement’s experience was enriched by what is still considered a milestone in the sound reinforcement of large outdoor spaces: the EDGE series. Based on state-of-the-art transducers designed and manufactured with unique components and solutions in order to achieve high performance in terms of distortion reduction, precision in angular coverage, and high sound pressure levels, EDGE-with its high modularity-allowed the sound system to be configured for any type of space, effectively anticipating some of the concepts later taken up by modern loudspeaker arrays.
Proel Sound Systems’ experience is rooted in the professional touring world of the late 1990s, when, after a series of operational tests, Proel Sound Reinforcement introduced the SMART, TPR and TFL lines in 1997, the latter designed asymmetrically to also be used as floor monitors. Since then, Proel loudspeakers showed a focus on flexibility and portability by offering, for example, the external Full range/Bi-Amp selector switch for handling multiple systems and ergonomic handles inserted on multiple sides.
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