PROEL MQ16USB Compact 16-channel compact mixer with FX and USB
$1,270
16-input 4-bus mixer with effect and USB. – 8 MONO MIC/LINE IN, 4 ST MIC/LINE IN. – 2 Groups. – 12 low-noise MIC preamp. – 8 COMPRESSORS. – 3 AUX send and LO-CUT. – 24bit FX DSP and MUTE. – 2×2 USB Interface. – Balanced MAIN OUT with XLR and ¼” JACK. – Applications: live, home, intstallation
15 in stock
MQ is a series of mixers created by PROEL to offer in a very compact and stylish package a high input density, a full set of features and a superior audio quality, at a very convenient price point. The MQ series includes 5 models with 6, 10, 12 and 16 inputs, able to satisfy most of the sound reinforcement applications. Carefully designed and engineered in Italy by PROEL R&D, MQ mixers are hosted in ultra-rugged cases, providing extended durability for a stage-proof use.
The smallest models of the series, MQ6 and MQ6FX, offer in an ultra-compact format the performance of professional consoles, delivering a clean and accurate sound. The MQ6FX, despite its small size, includes a high-quality 24-bit DSP able to provide musicians and performers with studio-grade effects.
MQ10FX, together with 3-band EQ and one-knob intelligent COMPRESSORS, offers also 100 DSP presets with a convenient LED display for the selection.
MQ12USB additional features include an USB audio I/O interface and extended mixing capability with MONITOR send, STEREO GROUP bus and 45mm control faders.
The top-of-the-line MQ16USB feature 16 inputs and 12 microphone channels together with sweep mids and one-knob intelligent COMPRESSORS on mono channels, 4 AUX sends, STEREO GROUP bus and 60mm control faders.
Optional padded carrying bags and metal brackets for 19” rack mounting are available for selected models.
- Compact 16-input 4-bus mixer with effect and USB I/F
- 8 MONO MIC/LINE inputs and 4 STEREO MIC/LINE inputs
- 12 low-noise, very high-headroom microphone preamplifiers
- PHANTOM power
- ‘One-knob’ COMPRESSOR with LED indicator on MONO channels
- 3-band EQ with sweep mids and LO-CUT filter
- 3 AUX sends pre-fader e 1 AUX send post-fader
- 24bit studio-grade digital effect with 100 presets, 2-digit display and footswitch MUTE
- Built-in USB interface with routing options for PC recording and playback
- GROUS 1&2 with MIX routing and output
- 2-TRACK, HEADPHONES and CONTROL ROOM outputs
- Electronically balanced MAIN MIX outputs with XLR-M and ¼” JACK connectors
- Two 12-LED VU-METERS
- Universal switching power supply 100-250V
- Stage-proof construction and ultra-rugged metal chassis
- Designed and engineered in Italy by PROEL
| MONO INPUT CHANNEL | |||
| Mic Input | sensitivity | from -10 to -50 dB | Balanced XLR-F |
| impedance | 2 Kohm | ||
| Line Input | sensitivity | from +20 to -20 dB | Balanced JACK |
| impedance | 10 Kohm | ||
| Lo cut | 75Hz, 18dB/oct. | ||
| EQ | HIGH (shelving) | ±15 dB @ 12 KHz | |
| MID (peaking) | ±15 dB from 100 Hz to 8 kHz | ||
| LOW (shelving) | ±15 dB @ 80 Hz | ||
| Compressor | Fet | CH 1-8, 1-knob | |
| STEREO INPUT CHANNEL | |||
| Mic Input | sensitivity | from -10 to -50 dB | Balanced XLR-F |
| impedance | 2 Kohm | ||
| Line Input | sensitivity | from +20 to -20 dB | Balanced JACK |
| impedance | 10 Kohm | ||
| EQ | HIGH (shelving) | ±15 dB @ 12 KHz | |
| MID (peaking) | ±15 dB @ 2.5 KHz | ||
| LOW (shelving) | ±15 dB @ 80 Hz | ||
| MASTER SECTION | |||
| MAIN MIX | nom. out level | +4 dBu | Balanced JACK and XLR-M |
| C. ROOM output | nom. out level | 0 dBu | Unbalanced JACK |
| GROUP output | nom. out level | +4 dBu | Balanced JACK |
| FX/AUX output | nom. out level | 0 dBu | Unbalanced JACK |
| 2TRK | nom. out level | 0 dBu | Unbalanced RCA |
| nom. in level | 0 dBu | Unbalanced RCA | |
| HEADPHONES | min. impedance | 32 ohm | |
| max. out level | (2x) 193 mW | Stereo JACK | |
| USB | Stereo IN/OUT, 16-bit converter, 48 KHz sample rate | Type B | |
| DIGITAL EFFECT PROCESSOR | |||
| Effects | 100 presets | ||
| A/D and D/A converters | 24 bit | ||
| DSP resolution | 24 bit | ||
| Controls | 2-DIGIT display, DIAL, PEAK LED, MUTE switch, MUTE footswitch | ||
| GENERAL SPECIFICATIONS | |||
| Maximum level | all outputs | +22 dBu | |
| Crosstalk | meas. at 1 KHz | > 82 dBu | |
| HUM & Noise | unweighted | < -93 dBu | |
| THD + Noise | at +4dB, 1kHz | < 0,008 % | |
| Dimensions (WxHxD) | 481 x 432 x 104 mm | ||
| Weight | 6,50 kg | ||
| POWER REQUIREMENTS | |||
| Mains Supply Voltage | 110-240 VAC (±10%) 50 / 60 Hz available with | ||
| Europe mains cord (Shucko plug) | |||
| US mains cord (NEMA 5-15P plug) | |||
| UK mains cord (BS1363 plug) | |||
| Consumption | 35 W | ||
Brand
PROEL SOUND
PROEL SOUND SYSTEMS
Proel has over 25 years of experience in the world of amplification. Such know-how as to generate a product philosophy inspired by innovation in design and functionality.
Since 1996, Proel has been dedicated to designing and manufacturing high-quality Sound Systems products that could meet the ever-increasing demand of professional installers and the music market.
Widely recognized for product value, Proel has focused its energies on ensuring that every single Sound Systems product is reliable and of high quality, with solutions for any target audience and application: from artists and professionals to amateur musicians; from fixed installations to live performances.
The beginning of the new millennium saw the introduction – in 2002 – of NEXT, Proel’s first plastic loudspeaker, while in 2003 Proel Sound Reinforcement’s experience was enriched by what is still considered a milestone in the sound reinforcement of large outdoor spaces: the EDGE series. Based on state-of-the-art transducers designed and manufactured with unique components and solutions in order to achieve high performance in terms of distortion reduction, precision in angular coverage, and high sound pressure levels, EDGE-with its high modularity-allowed the sound system to be configured for any type of space, effectively anticipating some of the concepts later taken up by modern loudspeaker arrays.
Proel Sound Systems’ experience is rooted in the professional touring world of the late 1990s, when, after a series of operational tests, Proel Sound Reinforcement introduced the SMART, TPR and TFL lines in 1997, the latter designed asymmetrically to also be used as floor monitors. Since then, Proel loudspeakers showed a focus on flexibility and portability by offering, for example, the external Full range/Bi-Amp selector switch for handling multiple systems and ergonomic handles inserted on multiple sides.
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